Pressure (2026) **** – Now Streaming

The producers sure misread the public for this one. As every moviegoer knows, weather is for chaos and destruction. We’re talking cyclones, hurricanes, twisters, roaming icebergs, ships in distress, cities swamped or frozen. The clue is in the title – Twister (1996), Twisters (2024), The Perfect Storm (2000), Hurricane (1979). The clue in the title here would have driven audiences away. We’ve spent half our lives listening to weather forecasters talk about pressure, low or high apparently, without having a clue what they’re on about.

Which is a shame because the title here is dual purpose. Yes, it’s about the weather front that could wreck D-Day but it’s also about the mental gymnastics undergone by all the generals, admirals and backroom staff as the Allies prepare for the greatest invasion ever known. Key to a successful landing is the weather. Too much weather, i.e. waves a few feet higher, and the landing troops will be swept away.

The Yanks involved are unfamiliar with the English concept of the stiff upper lip so they just verbally let loose on anyone getting in their way, including Scottish weather kingpin James Stagg (Andrew Scott). He’s been drafted in as a counterbalance to the gung-ho  American weather expert Irving Krick (Chris Messina) who has made any number of crucial interventions weather-wise, including not just the North African campaign but the filming of Gone with the Wind (1939).

Krick relies on history to make his calculations. If this happened in 1913 and 1931 with these conditions the consequences would be the same in 1944. James Stagg is not convinced. So that’s the first head-to-head battle. Luckily, Stagg isn’t the hapless kind of the backroom boy, and asserts his authority from the get-go.

But when Stagg’s calculations don’t go the way Allied Commander General Eisenhower (Brendan Fraser) wants then he’s got a raging boss to deal with not to mention an arrogant General Bernard Montgomery (Damian Lewis) who somewhere along the way lost his stiff upper lip and lets it all hang out rather than, like his countrymen, reining it in.

So it’s the lowly (in comparative terms) weatherman sticking to his guns in the face of a roomful of Army and Navy chiefs, on top of which his wife is in hospital dangerous ill after a German bombing raid.

Krick isn’t above sneaky manoeuvres to attempt to put Stagg in his place, and the Scot might as well have had a target pinned to his back for all the verbal abuse he takes. But his refusal to give way ranks with all the resilient greats over the centuries who had resisted taking the easy route and stood up for his principals and incessant belief that he is right and that if the bosses take any other action Germany will win the war. The stakes, let’s just say, couldn’t be higher.

Luckily, Eisenhower isn’t one to be persuaded by self-serving charlatans. He’s an interesting study here, well aware that he’s in charge of the greatest military show on earth while never having led an army into battle before. He is plagued with doubt as well. And his adulterous relationship with his assistant Kay Summersby (Kerry Condon) isn’t glossed over either, nor, interestingly, is he inclined to let romance get in the way of hard decisions.

In fairness, this is more of a chamber piece and opening up what began as a stage play to show ships in battle and the other actionable elements of D-Day isn’t really required and it might well have been better to scale down its ambitions because the inherent drama is more than enough.

Andrew Scott (Ripley TV series, 2024) comes out on top precisely because he’s got to rein it all in but Brendan Fraser (Rental Family, 2025) is convincing and, luckily, Kerry Condon (F1 The Movie, 2025) is giving more to do than just mop Eisenhower’s brow.

So, basically, it’s a very well-written and very well-acted drama. Directed by Andrew Maras (Hotel Mumbai, 2018) and co-written by him with David Haig, better known as an actor, who wrote the original play.

I saw this on the big screen but didn’t review it at the time. It’s not taken long to get into streaming. You can catch it on Apple and Amazon and others.

F1: The Movie (2025) **** Seen at the Cinema in Imax

Buckle up – the summer blockbuster is here. And if you’ve got the sense to see it in Imax double buckle up because you’ve just never seen the like. As regular readers will know I’m a sucker for race pictures – Grand Prix (1966) that invented the genre, Rush (2013) and Ford v Ferrari/Le Mans ’66 (2019) the top trio in my book. And all driven by interesting narrative, a shade too much soap opera in the first, a real-life on-track duel in the second, and the machinations of big business in the third. And the last two with scenes that took place outside the racetrack that have stuck in my mind since – in Rush Niki Lauda (Daniel Bruhl) kicking into high gear in an ordinary motor to impress his soon-to-be wife, Carroll Shelby (Matt Damon) taking Henry Ford II (Tracy Letts) for a terrifying spin.

This one has jettisoned narrative complexity for thrills on the track and the sheer screen charisma of star Brad Pitt (Bullet Train, 2022) off it. For all my love of movies about motor racing I’ve never been compelled to watch any of the current F1 action or a single episode of the seven-season (and counting) Netflix series Drive to Survive, so my understanding of the rules is rather vague.

Here, you might come away with the notion that tires/tyres are more important than speed and that if you are mighty clever you can fry those rules within an inch of their lives and get away with it. And I’m not sure if the climactic set-up where the race is reduced to the equivalent of a golf play-off between four cars over three circuits of the track is actually a genuine element of the business.

So, ex-gambler thrice-divorced itinerant Sonny Hayes (Brad Pitt) who 30 years before was an up-and-coming Formula One Driver before an accident wrecked his career is tempted to return to the greatest arena of all by old buddy Ruben (Javier Bardem) whose racing team is on the point of collapse. He’s recruited as wing man to cocky up-and-coming talent Joshua (Damson Idris) who is repulsed by the idea of giving a second chance to an elderly citizen. The idea that Sonny will mentor the young guy is torpedoed when the younger ace nixes that notion.

But Sonny has got street smarts and knows how to win dirty. There are the usual reversals and obstacles, mostly self-imposed, before the team learn to back Sonny’s combat instinct.

And while the racing footage will take your breath away – even not seen in Imax it’s going to be a thundering visceral involving experience – it’s Brad Pitt who brings this one home. He’s one of only three surviving Hollywood stars, Leonard DiCaprio and Tom Cruise would be the others (though you could maybe make a case for Matt Damon), whose attachment can greenlight a picture and put the bucks into the box office.

One of a posse of producers and one of the many real-life participants to make an appearance.

Ever since a glorious entrance in Thelma and Louise (1991) he’s strode the Hollywood firmament like, as they say, a colossus, never taking the easy role, backing his own judgement, and often putting his own dough into projects (his Plan B shingle is one of the many production outfits credited here) and lighting up the screen with an easy charm.

Luckily, the screenplay by Ehren Kruger (Top Gun: Maverick, 2022) crackles and Pitt’s realism cuts through the social media engagement world inhabited by Joshua and the jargon-ridden world of the back-office team. “Hope isn’t a strategy,” he snaps. And there’s a lively verbal duel with designer Kate (Kerry Condon) and a couple of scenes where he takes what’s coming, especially from Joshua’s irate mum Bernadette (Sarah Nile), and one of those classic scenes where he dupes the youngster into thinking he’s won.

Usually enigmas aren’t this captivating, even Sonny can’t explain what drives him, but beyond a skeletal backstory, we don’t need to learn much about him because his whip smart delivery and scathing lines keep the audiences on their toes.

So Brad Pitt at the top of his game, excellent support from Javier Bardem (Dune: Part Two, 2024) and Kerry Condon (The Banshees of Inisherin, 2022). While Damson Idris (Snowfall, 2017-2023) isn’t in the breakout league of Glen Powell in Top Gun: Maverick, he still looks a talent to watch. Tobias Menzies (Outlander, 2014-2018) as a sneaky financier has a stand out supporting role.

Joseph Kosinksi (Top Gun: Maverick) does for earthbound speed what he did for supersonic speed in the Tom Cruise sequel.

Summer has arrived. Go see.

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