After being attacked by armored cars and strafed by airplanes, stranded in the desert, and overcome various tensions within the small group of escapees, there is still considerable life left in this picture at the end as Jack Warden, making his departure, comes up with a classic last line: “We must do this again sometime.” … Continue reading “Escape from Zahrain (1962) ***”
This impressive Hammer conspiracy-of-silence slow-burner, more thriller than horror, features the triumvirate of Christopher Lee (The Devil Ship Pirates, 1964), Peter Cushing (The Sword of Sherwood Forest, 1960) and Barbara Steele (Black Sunday, 1960) in untypical roles. Lee and Cushing, of course, had locked horns before, namely in Hammer’s reimagining of the classic Dracula, with … Continue reading “The Gorgon (1964) ****”
Non-stop action as spy Robert Stack (The Untouchables tv series) battles a variety of crooks in Macao on the Chinese border as they seek the legendary Peking medallion. Stack hails from the James Bond school of espionage, duty bound to kiss every girl he meets. He might wonder at their compliance until he realizes they … Continue reading “The Corrupt Ones / The Peking Medallion (1967) ****”
You might think David Lean in Lawrence of Arabia (1962) had cornered the market in startling transitions involving light (from Peter O’Toole’s match to the rising sun) and gut-wrenching scenes involving quicksand but nearly six months prior Anthony Asquith (The Millionairess, 1960) in the less-heralded Guns of Darkness had adopted similar techniques. He cuts from … Continue reading “Guns of Darkness (1962) ***”
While Hollywood was capable of dealing with mental illness head-on in pictures like Frank Perry’s David and Lisa (1962), Sam Fuller’s Shock Corridor (1963) and Robert Rossen’s Lilith (1964), the British were more inclined to take an alternative approach. The titular characters of Billy Liar (1963) and this film dealt with awkward reality by creating … Continue reading “Morgan: A Suitable Case for Treatment / Morgan! (1966) ***”
Director Sidney Lumet (Fail Safe, 1964) could have made an excellent film just about the customers of a pawn shop, the haunted individuals haggling for more bucks than they will ever be paid, the sad sacks, junkies, lost souls and general losers whose stories are told in the items they pawn or redeem – candlesticks, … Continue reading “The Pawnbroker (1964) *****”
The new documentary on Audrey Hepburn – the Queen of Chic – and my reference to the making of the Valley of the Dolls in “My Books of the Year” blog made me wonder just how important fashion had become to movie marketing in the 1960s. So I did some digging. And found that the … Continue reading “Hollywood: A Fashion Accessory”
Reputations were made and broken on this tale of a jaded artist returning to his homeland to rediscover his mojo. Director Michael Powell had, in tandem with partner Emeric Pressburger, created some of the most acclaimed films of the 1940s – A Matter of Life and Death (1946), Black Narcissus (1947) just remade by the … Continue reading “Age of Consent (1969) ***”
I had been familiar with Polish film Pharoah (1966) from a striking cover of British movie magazine Films and Filming and surprised at coming across the film while browsing YouTube I began watching without realizing there were no subtitles. I was so mesmerized by the visuals and the stunning camerawork that I could not stop … Continue reading “Pharaoh/Faraon (1966) ****”
Setting aside the unusual circumstances of this year, we can generally count ourselves lucky these days – taking 2019 as a more standard example – if we are able to have five or six new films opening around Xmas. Hogging the limelight in the weekend before Xmas in 2109 was Star Wars Episode IX – … Continue reading “Sixty Years Ago – Xmas at the Movies”
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