Babylon (2022) **** – Seen at the Cinema

Wild raucous’n’roll rollercoaster that, contrary to expectation, I found totally absorbing, length not an issue. Employing a simple structure of rise and fall, and exploring the upside and downside of Hollywood in the transition from silent to sound, it seemed to me in essence to capture movie-making. A Broadway play could be a hit if…

Miracle of the White Stallions (1963) ***

You wouldn’t look to Walt Disney in the 1960s to provide a tyro director with a calling card when so much of that studio’s output was saccharine. But this beautifully-mounted World War Two drama showed there was a new kid in town worth watching, name of Arthur Hiller. And if you always wondered why the…

Cate Blanchett and The Shawshank Redemption

I assuming you know that the famed Stephen King novella on which the Tim Robbins/Morgan Freeman picture was based was originally entitled Rita Hayworth and the Shawshank Redemption, the poster of that movie goddess used in that version by the wannabe escapee to cover the hole he was making in his prison cell wall. I’m…

Tar (2022) *** – Seen at the Cinema

Editor wanted to stop self-indulgent director sabotaging his own work. Normally, this would be a producer’s job but there’s so many of them (I counted 14) in this co-production that I doubt any was at the wheel of the ship, trusting the director wouldn’t do something so guaranteed to alienate an audience as stick in…

How To Invent A Cult Movie: “Vanishing Point” (1971)

The easiest method to get a film designated a cult is to claim it was a flop on release but, hey presto, thereafter acquired a new following. Classic examples might include It’s A Wonderful Life (1946), The Magnificent Seven (1960) and The Shawshank Redemption (1994). According to Wikipedia, Vanishing Point fits that niche. Based on…

Vanishing Point (1971) *****

There always was an existential element to speed. Destination was another symbolic aspect. A “vanishing point” has an artistic meaning; relating to perspective it’s the place where parallel lines cross. But it also means something so diminished as to be unimportant, and you could argue this movie is a place where the figurative and metaphorical…

A Man Called Otto (2023) ****

Heart-warming tale of a suicide wannabe. Yep, the studio didn’t know how to sell it either, and the trailer had originally put we off, a gurning Tom Hanks and the annoying neighbor from hell. And it just shows what a sick character I must be that I was chuckling all the way through. Because, yes,…

Arabella (1967) ***

Under-rated comedy, set in 1928 Italy, had me chuckling all the way through. An episodic structure sees Arabella (Virna Lisi) duping an Italian hotel manager, British general and an Italian Duke (all played by Terry-Thomas) out of their cash in order to pay off the mounting tax debts of her grandmother Princess Ilaria (Margaret Rutherford)…

Cash on Demand (1961/1963) ***

Ideal crime B-picture. No femme fatale, but a tight one-location two-hander. Set a couple of days before Xmas in a rural English market town, while possessing sufficient twists to see it through, in the main it is a battle of wills between urbane thief Col Gore Hepburn (Andre Morell) and his victim, stuffed-shirt bank manager…

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