The reference point for Anne Bancroft in the 1960s is usually her cynical Mrs Robinson in The Graduate (1967) but she was Oscar-nominated here for a less ostentatious role as a woman who finds pregnancy – she has five kids by two husbands – almost a state of grace. Denied that role as a birth … Continue reading “The Pumpkin Eater (1964) ***”
Sometimes I wonder if studio executives ever read a book before they purchase the rights or whether they just rely on the assumption that a bestseller must have a storyline worth adapting for the movies. I always had the impression that in many instances producers were simply buying up what they saw as a ready-made … Continue reading “Book Into Film – The Venetian Affair”
Robert Vaughn gives a terrific performance as a numbed alcoholic ex-C.I.A. journalist drafted into Venice to investigate a plot involving ex-wife and Communist defector Elke Sommer. He’s the spy who lost it rather than a flashy contemporary of James Bond. This occasionally very stylish number kicks off with an excellent credit sequence that concludes with … Continue reading “The Venetian Affair (1966) ****”
Behind-the-scenes books generally benefit from as much scandal as possible. Using that criteria, Dolls! Dolls! Dolls! by Stephen Rebello leaps to the top of the list. Rebello had been primarily responsible for turning Valley of the Dolls (1968) into a camp classic by hosting repeated showings of the picture from the 1990s onwards and making … Continue reading “Books – Behind the Scenes of “Valley of the Dolls” (1968)”
Given that this is filmed in black-and-white, it seems a curious title. So I’m assuming the color is a reference to a scarlet woman which, indeed, Ava Gardner (On the Beach, 1959) is, working in a “cabaret” in an unnamed town at the start of the Spanish Civil War. Strangely enough, the decision to shoot … Continue reading “The Angel Wore Red (1961) ***”
Tough talking Patrick O’Neal (Castle Keep, 1969) whose “hello” is usually accompanied with a fist enlivens this adaptation of a slim bestseller by Harold Robbins as cop George Baker on the trail of Mafia hitman Count Cesari Cardinali (Alex Cord ). Unusually, Cord was the go-to star for producers of Mafia pictures, his previous movie … Continue reading “Stiletto (1969) ***”
HOLLYWOOD CASHING IN ON EICHMANN TRIAL With the upcoming trial of Nazi Adolf Eichmann dominating the media for weeks, and publishers enjoying a boom with titles on Eichmann and Hitler, and with Life magazine’s biggest issue so far in the year being one with Hitler on the cover, movie studios had at last wakened … Continue reading “In the News Sixty Years Ago: April 1961”
Innocence and experience alike are corrupted by the destructive power of love in this elegant and compelling early masterpiece from French director Claude Chabrol. Although he owed much of his later fame to slow-burning thrillers, this is more of a three-hander drama with a twist and it says much for his skill that we sympathize … Continue reading “Les Biches (1968) *****”
A couple of years ago, I wrote a book about cinemagoing in 1950 in my local town of Paisley in Scotland which at that time had eight cinemas screening over 1200 movies a year to the 93,000 inhabitants. Six of the theaters were first run and two second-run. A standard program consisted of main feature, … Continue reading “Books by Brian Hannan – “Paisley at the Pictures, The Sequel, 1951””
This gritty realistic thriller, based on Alistair Maclean’s The Last Frontier, has much in common with The Quiller Memorandum (1965) with spies stalked through dark cobbled streets. To pay off his gambling debts, Michael Reynolds (Richard Widmark), posing as a journalist, agrees to smuggle out of Hungary resistance leader Jansci (Walter Rilla) on the Soviet … Continue reading “The Secret Ways (1961) ***”
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