A post-WW2 operation to save a handful of Japanese adrift at sea in a storm is endangered when three members of the U.S. Air Force Air Rescue Service confront conflicts from their past. Despite tense rescue action, this is basically a three-hander about guilt and how men deal – or fail to deal – with emotions. Extended flashbacks illuminate the tangled relationships between Sgt Takashima (Yul Brynner), Lt Col Stevenson (Richard Widmark) and Second Lieut Gregg (George Chakiris). Unusually, for the period, tough guys actually emote.
So really it’s like one of those portmanteau films that are occasionally popular – like Trio (1950) made up of Somerset Maugham short stories or similar to something like the Oscar-winning Crash (2004) where characters interconnect after an accident. While each of the episodes stands up in its own right, the thrust of the narrative revolves around actions taken in the past having a direct bearing on the present situation.
Gregg is haunted by causing an avalanche after flying his helicopter too close to a mountain and, as a result, by having to leave behind many of the victims, due to restricted capacity on board, and now he is terrified of flying solo. As a consequence Stevenson has no faith in abilities as a pilot.
Stevenson also has an abiding hatred of Japanese – colleague Takashima of Japanese ancestry also bears his wrath – because his ill wife Caroline (Shirley Knight) and child died in a Japanese prisoner-of-war camp because medical supplies were reserved only for the Japanese. Faced with rescuing Japanese, he is enraged.
For his part, Takashima, a paratrooper during the war, inadvertently caused the death of his Algerian girlfriend Leila (Daniele Gaubert). It’s not so much an examination of tough guys under pressure as about their inability to deal with the consequences of action. There’s certainly a sense that the only way men like these have of dealing with trauma is to throw themselves into dangerous action.
Yul Brynner (The Double Man, 1967) gives a more thoughtful performance than you might expect while Richard Widmark (The Secret Ways, 1961), himself dabbling in production elsewhere, was good value. Goerge Chakiris (The Young Girls of Rochefort, 1967) was a weaker link. The presence of Suzy Parker (Circle of Deception, 1960) and especially Daniele Gaubert (The Golden Claws of the Cat Girl, 1968) strengthen the film.
Unusually, at a time when product was in short supply and for a film boasting a strong cast, the picture was shelved for two years after completion. Presumably explained by the demise of Harold Hecht’s production company after he split with Burt Lancaster. Michael Anderson (The Shoes of the Fisherman, 1968) directed from a screenplay by Waldo Salt (Midnight Cowboy, 1969) based on the novel by Elliot Arnold (Kings of the Sun, 1963).
The title’s a bit of a misnomer, suggesting someone is trying to escape from Ashiya when, in fact, that is just the name of the air base where the rescue team are located.
Critics complained it was neither one thing nor the other, but in fact I found it a perfectly satisfactory combination of action and drama, especially as it dealt with rarely-recognized male emotions.
It’s Angie Dickinson vs Ann-Margret at the top of the All-Time Top 40. The two female stars take four of the top seven spots with Ann-Margret’s The Swinger replacing at the top long-time favorite The Secret Ways. These two have been duking it out over the past year, in which time the top spot has changed hands four times, with Jessica and Once Upon a Time in the West also taking a turn in the premier position. It’s also noticeable that women are top-billed in seven of the pictures in the Top Ten.
I started this Blog three years ago in June. Last year it was being read in 120 countries but that’s now gone up to 182 (out of the 193 recognized by the United Nations plus the Vatican state and the State of Palestine). Reviews have also increased and I’m now approaching 7,000 views a month, so thanks to you all.
I’ve been doing an Annual Top 40 since I started so this is the third iteration of that idea based on those reviews – out of the 900-plus posted so far – which have attracted the most attention over the three-year period. This isn’t my choice of the top films in the Blog, but yours, my loyal readers. The chart covers the films viewed the most times since the Blog began, from June 1, 2020 to July 31, 2023. (Yeah, it should have been May 31, but I’ve been remiss.)
(7)The Swinger (1966). Ann-Margret struts her stuff as a magazine journalist trying to persuade Tony Franciosa she is as sexy as the characters she has written about.
(-) Once Upon A Time in the West (1968). Rated the top western of all time, Sergio Leone’s operatic epic with Claudia Cardinale, Henry Fonda and Charles Bronson and the astonishing Ennio Morricone score.
(2) Jessica (1962). Innocently gorgeous widow Angie Dickinson finds her looks turn so many male heads in a small Italian town that the female population seek revenge.
(5)Fraulein Doktor (1969). Suzy Kendall in the best role of her career as a sexy German spy in World War One.
(-) Stagecoach(1966). Ann-Margret, Alex Cord and Bing Crosby in decent remake of classic John Ford western.
(1) The Secret Ways (1961). Richard Widmark exudes menace in this adaptation of an early Alistair MacLean spy thriller set in Hungary during the Cold War. Senta Berger has a small role.
(-) The Sins of Rachel Cade (1961). Angie Dickinson as a missionary who falls in love with Peter Finch in war-torn Africa.
(-) Gerry Anderson’s Fireball XL5. Colorized version of the famed sci fi television show.
(11) Moment to Moment (1966). Hitchcockian-style thriller with Jean Seberg caught up in murder plot in the French Riviera. Also features Honor Blackman.
(3) Ocean’s 11 (1960). In the Rat Pack debut Frank Sinatra, Dean Martin, Sammy Davis Jr. et al plan an audacious Las Vegas robbery.
(17)Can Heironymous Merkin Ever Forget Mercy Humpe and Find True Happiness? (1969). Off-the-wall musical awash with nudity and Fellini-esque cavorting, directed by star Anthony Newley. Has to be seen to be believed. Joan Collins pops up.
(4) Pharoah(1966). Priests battle kings in Polish epic set in ancient Egypt. Fabulous to look at and thoughtful.
(-) Sisters (1969). French drama bordering on the incestuous starring Nathalie Delon and Susan Strasberg.
(-) Vendetta for the Saint (1969). Feature length version of the television show sees Roger Moore and Rosemary Dexter battling the Mafia in Sicily.
(6) The Golden Claws of the Cat Girl (1968). Cult French movie starring Daniele Gaubert as a sexy cat burglar.
(-) Baby Love (1969). Orphan Linda Hayden finds herself in a predatory middle-class London household.
(-) Pendulum (1969). The under-rated George Peppard as a cop accused of murdering cheating wife Jean Seberg.
(-) Lady in Cement (1969). Frank Sinatra reprises private eye Tony Rome as he tangles with Raquel Welch.
(15) Subterfuge(1968). C.I.A. operative Gene Barry hunts an M.I.5 mole in London. Intrigue all round with Joan Collins supplying the romance and a scene-stealing Suzanna Leigh as a villain.
(-) Plane (2023). Gerard Butler goes Die Hard as stranded pilot outwitting terrorists on a remote Pacific island.
(18) Pressure Point (1962). Prison psychiatrist Sidney Poitier must help racist Nazi Bobby Darin.
(31) Fade In (1968). Long-lost modern western with Burt Reynolds serenading low-level movie executive Barbara Loden whose company is actually filming Terence Stamp picture Blue.
(16) A House Is Not a Home (1965). Biopic of notorious madam Polly Adler (played by Shelley Winters) who rubbed shoulders with the cream of Prohibition gangsters.
(19) Deadlier than the Male (1967). Richard Johnson as Bulldog Drummond is led a merry dance by spear-gun-toting Elke Sommer and Sylva Koscina in outlandish thriller.
(-) The Girl on a Motorcycle (1968). Marianne Faithful dons – and slips out of – leathers in erotic drama with Alain Delon.
(-) Some Girls Do (1969). Daliah Lavi and Beba Loncar get tough with Bulldog Drummond in sequel to Deadlier than the Male.
(-) Beat Girl / Wild for Kicks (1960). London teenager heads for shady Soho. Starts out in milk bars, ends up in strip clubs.
(-) Sodom and Gomorrah (1962). Robert Aldrich biblical epic sees Stewart Granger giving way to temptation in the infamous locale.
(-) A Dandy in Aspic (1968). Director Anthony Mann died during shooting of spy picture so star Laurence Harvey took over. Mia Farrow co-stars.
(-) The Brotherhood (1968). Martin Ritt’s Pre-Godfather take on the Mafia starring Kirk Douglas and Alex Cord as duelling brothers.
(23) Once a Thief (1965). Ann-Margret (again) is a revelation in crime drama with ex-con Alain Delon coerced into a robbery despite trying to go straight. Supporting cast boasts Jack Palance, Van Heflin and Jeff Corey. .
(-) Uptight (1968). Jules Dassin remake of John Ford classic The Informer set among black revolutionaries.
(9) A Place for Lovers (1969). Faye Dunaway andMarcello Mastroianni in doomed love affair directed by Vittorio De Sica.
(-) The Misfits (1961). Stunning last hurrah for Marilyn Monroe and Clark Gable in John Huston tale of ageing cowboys.
(-) Father Stu (2022). Biopic of boxer-turned-priest with Mark Wahlberg and Mel Gibson.
(-) Blonde (2022). Andrew Dominik’s controversial take on the life of Marilyn Monroe with Ana de Armas.
(12) 4 for Texas (1963). Frank Sinatra and Dean Martin face off in a Robert Aldrich western featuring Ursula Andress and Anita Ekberg with Charles Bronson in a smaller part.
(-) Istanbul Express (1968). Gene Barry, John Saxon and Senta Berger involved in nefarious dealings on the other famous trans-European express.
(33) P.J./New Face in Hell (1968). Private eye George Peppard is duped by shady millionaire Raymond Burr and mistress Gayle Hunnicutt in murder mystery.
(10) The Venetian Affair (1966). Robert Vaughn hits his acting stride as a former C.I.A. operative turned journalist investigating suicide bombings in Venice. Great supporting cast includes Elke Sommer and Boris Karloff.
Dropping out of the Top 40
The surge of new entrants and other films attracting a vast new audience has meant some previous favorites tumble out of the Annual Top 40. (Previous year’s position shown in brackets).
(8) It’s Not All Rock’n’Roll (2020). Ageing rocker Dave Doughman aims to mix a career with being a father in this fascinating documentary
(13) Age of Consent (1969). Helen Mirren stars as the nubile muse of jaded painter James Mason returning to his Australian roots.
(14) The Double Man (1967). Yul Brynner chases his doppelganger in the Swiss Alps with Britt Ekland adding a touch of glamour.
(20) Valley of Gwangi (1969). Special effects genius Ray Harryhausen the star here as James Franciscus and Gila Golen encounter prehistoric monsters in a forbidden valley.
(21) The Naked Runner (1967). With his son held hostage, Frank Sinatra is forced to carry out an assassination in east Germany.
(22) Orgy of the Dead (1965). Bearing the Ed Wood imprint, mad monster mash-up with the naked dead.
(24) The Sicilian Clan (1969). Stunning caper with thief Alain Delon and Mafia chief Jean Gabin teaming up for audacious jewel heist with cop Lino Ventura on their trail. French thriller directed by Henri Verneuil. Great score by Ennio Morricone.
(25) Dark of the Sun / The Mercenaries (1968). More diamonds at stake as Rod Taylor leads a gang of mercenaries into war-torn Congo. Jim Brown, Yvette Mimieux and Kenneth More co-star. Based on the Wilbur Smith bestseller
(26) Stiletto (1969). Mafia hitman Alex Cord pursued by tough cop Patrick O’Neal. Britt Ekland as the treacherous girlfriend heads a supporting cast including Roy Scheider, Barbara McNair and Joseph Wiseman.
(27) Maroc 7 (1967). Yet more jewel skullduggery with Gene Barry infiltrating a gang of thieves in Morocco who use the cover of a fashion shoot. Top female cast comprises Elsa Martinelli, Cyd Charisse, Tracy Reed and Alexandra Stewart.
(28) The Rock (1996). Former inmate Sean Connery breaks into Alcatraz with Nicolas Cage to prevent mad general Ed Harris blowing up San Francisco. Michael Bay over-the-top thriller with blistering pace.
(29) The Swimmer (1968). Burt Lancaster’s life falls apart as he swims pool-by-pool across the county. Superlative performance.
(30) Hour of the Gun (1967). James Garner as a ruthless Wyatt Earp and Jason Robards as Doc Holliday in John Sturges’ realistic re-telling of events after the Gunfight at the O.K. Corral.
(32) Dr Syn Alias the Scarecrow (1963). The British movie version of Disney American television mini-series sees Patrick McGoohan as a Robin Hood-type character assisting local smugglers.
(34) Sol Madrid/The Heroin Gang (1968). In his second top-billed role David MacCallum drags hooker Stella Stevens to Mexico to capture drugs kingpin Telly Savalas.
(35) A Twist of Sand (1968). Diamonds again. Smugglers Richard Johnson and Jeremy Kemp hunt long-lost jewels in Africa. Honor Blackman is along for the voyage.
(36) Genghis Khan (1965). Omar Sharif plays the legendary warlord who unites warring Mongol tribes. Stellar cast includes Stephen Boyd, James Mason, Francoise Dorleac, Eli Wallach, Telly Savalas and Robert Morley.
(37) Interlude (1968).Bittersweet romance between famed conductor Oskar Wener and young reporter Barbara Ferris.
(38) Woman of Straw (1964). Sean Connery tangles with Gina Lollobrigida in tangled tale of the killing of wealthy uncle Ralph Richardson.
(39) Bedtime Story (1964). Marlon Brando and David Niven are rival seducers on the Riviera targeting wealthy women.
A sheer delight, a twisty thriller with a standout sexy burglar. It might put you immediately in mind of To Catch a Thief (1955) but this takes the Hitchcock embryo and molds it in something effortlessly stylish and not just to keep the audience on the hop. A second viewing has raised it in my estimation.
Unless you were a fan of the more permissive pictures at the end of the 1960s or kept a close eye on the gossip columns – or for that matter Playboy magazine – you were unlikely to have come across slinky blonde Daniele Gaubert. A former teen model and supporting actress in a number of French and Italian films at the start of the 1960s, she had a brief brush with Hollywood as Yul Brynner’s girlfriend in United Artists’ Flight from Ashiya (1964) but then married Rhadames Trujillo, son of the Dominican Republic dictator.
The year after The Golden Claws of the Cat Girl she starred in Radley Metzger’s provocative Camille 2000 which set pulses racing especially at the censor’s office. Then marriage beckoned again, this time to French Olympic triple gold medallist skier Jean-Claude Killy with whom she made her last picture The Snow Job (1972) also known, depending on where you lived, as The Ski Raiders and The Great Ski Caper.
She only made eighteen movies but The Golden Claws of the Cat Girl is by far the standout. A taut thriller with plenty of twists and stylish action scenes, the French-Italian co-production was the only film of documentary film maker Edouard Logerau and that background helps shape the movie with many of the most thrilling sequences lacking musical accompaniment.
Female empowerment is not normally associated with crime, given that organized crime is generally organized by men. But burglary is a different matter, lending itself to non-gender-specific individual enterprise. Though there are safes to break, there’s no glass ceiling in this brand of thievery.
Gaubert plays a cat burglar ironically known as “the lone wolf” (as in the original title) who is forced to trade her freedom by stealing a cache of drugs for the police in order to apprehend a criminal mastermind (Sacha Pitoeff). (Maybe this notion inspired Luc Besson’s Nikita.) Her sidekick is Michael Duchaussoy, seconded from his usual job as an embassy press attache, on the grounds that he can lip-read (which proves more than a gimmick as the plot unfolds).
Given that this was all shot “in camera” – Christopher Nolan’s favourite phrase – without the benefit of CGI or, so it would appear, much in the way of bluescreen, the burglary scenes are pretty impressive. For a kick-off, Gaubert is a sexy as you can get in a skin-tight cat-suit. Furthermore, her character calls on skills from her previous occupation as a trapeze artist. While the director doesn’t match Hitchcock’s in the tension-racking stakes, the sheer verve of the burglary takes the breath away.
The first burglary – before she is caught – takes place at a fancy chateau where a party is in full swing (owners in residence less likely to take extra precautions to hide their valuables), Gaubert nips over a wall, slips up a tree, uses a line thrower (a type of harpoon) to connect tree to building, and then proceeds to walk along the tightrope. Mission accomplished, she zooms off in a sports car, only stopping to remove false tyre treads and strip out of her costume before hiding her ill-gotten gains in a secret compartment at the back of the fridge.
The police burglary is in an office block. She and the lip-reader are holed up in an apartment opposite watching via a telescope. Although they pass the time in gentle flirtation, especially as she favours revealing outfits, she is not quite as imprisoned as it might seem and is already hatching her own plans to outwit her captors. This burglary is even more dangerous, in the pouring rain for a start, across Parisian rooftops, and involving a trapeze and ropes.
Thereafter, plot twists come thick and fast after this. She escapes to Switzerland, pursued by lip-reader (to whom she has clearly formed an attachment), cops and furious drug runners. Eventually re-captured she agree to another official burglary as a way of finally trapping Mr Big.
The tone is lightened by repartee and some interesting characterization. The lone wolf turns out to have very strong principles that prevent her just running off. Mr Big is a stamp aficionado. A lava lamp is turned into a weapon. Instead of counting to five before killing someone, a bad guy does the countdown according to the number of people diving into a swimming pool. Gaubert fools her captors into thinking they have a flat tyre by dangling her handbag over the edge of the door until it bumps into the tyre and makes the thwock-thwock of a burst tyre. “Survivors give me goose flesh,” quips a thug.
The closest comparison is not Hitchcock but Danger: Diabolik (1968) featuring John Philip Law which has a definite comic book riff. And you might also point to Joseph Losey’s Modesty Blaise (1966) or even, for a self-contained independent woman, to Raquel Welch’s Fathom (1967. But this lone wolf is ice-cold. Blonde is not enough. She is one step ahead of the law and the criminals. There are hints of a tragic past – a trapeze artists requires a partner, for example.
The last shot has Genault triumphant on a Paris rooftop. There is a nod to Hitchcock (think Rear Window) in the use of a telescopic framing device for many scenes, giving them a voyeuristic aspect. Sure, a bigger budget and a better supporting cast – and perhaps a more obvious romance – might have lifted the picture but Genault’s presence ensures that the film does not lack style. Gaubert dominates so much you could imagine she harldy needed direction but it is the cleverness of Edourd Logerau (Paris Secret, 1965) that makes it appear seamless.
This isn’t my choice of the top films of the year, but yours, my loyal readers. This is a chart of the films viewed the most times over the full calendar year of January 2021 – December 2021.
The Secret Ways (1961). Richard Widmark in spy thriller set in Hungary during the Cold War and adapted from the Alistair MacLean novel. Senta Berger has a small role.
Ocean’s 11 (1960). Frank Sinatra, Dean Martin and the Rat Pack embark on an audacious Las Vegas robbery.
Pharoah(1966). Epic Polish picture about political shenanigans in ancient Egypt.
Age of Consent (1969). Helen Mirren stars as the nubile muse of jaded painter James Mason returning to his Australian roots.
The Venetian Affair (1966). Robert Vaughn hits his acting stride as a former CIA operative turned journalist investigating suicide bombings in Venice. Great supporting cast includes Elke Sommer and Boris Karloff.
The Golden Claws of the Cat Girl (1968). Cult French movie starring Daniele Gaubert as a sexy cat burglar.
Moment to Moment (1966). Jean Seberg is caught up in a Hitchcockian murder plot in the French Riviera. Also features Honor Blackman.
It’s Not All Rock’n’Roll (2020). Ageing rocker Dave Doughman aims to mix a career with being a father in this fascinating documentary.
4 for Texas (1963). Frank Sinatra and Dean Martin face off in a Robert Aldrich western featuring Ursula Andress and Anita Ekberg with Charles Bronson in a smaller part.
Once a Thief (1965). Trying to go straight ex-con Alain Delon is coerced into a robbery. Ann-Margret is a revelation as his wife. Jack Palance, Van Heflin and Jeff Corey add up to a great supporting cast.
Stiletto (1969). Alex Cord as a Mafia hitman wanting to retire is pursued by tough cop Patrick O’Neal. Britt Ekland heads a supporting cast which includes Roy Scheider, Barbara McNair and Joseph Wiseman.
Subterfuge(1968). C.I.A. operative Gene Barry is called to London to uncover a mole in M.I.5. Joan Collins provides the romance. Richard Todd, Tom Adams, Suzanna Leigh and Michael Rennie lend a touch of class.
The Swimmer (1968). Burt Lancaster delivers a superlative performance as a man whose life is falling apart.
The Rock (1996). Blistering thriller starring Sean Connery as an ex-inmate of Alcatraz helping Nicolas Cage infiltrate the island to prevent mad general Ed Harris destroying San Francisco. Michael Bay directs.
The Sicilian Clan (1969). Alain Delon joins forces with Jean Gabin to pull off an daring jewel heist with tenacious cop Lino Ventura on their trail. French thriller directed by Henri Verneuil.
The Naked Runner (1967). With his son held hostage, Frank Sinatra is forced to carry out an assassination in East Germany.
A House Is Not a Home (1965). Biopic of notorious madam Polly Adler (played by Shelley Winters) who rubbed shoulders with the cream of Prohibition gangsters.
Pressure Point (1962). Prison psychiatrist Sidney Poitier must help racist Nazi Bobby Darin.
Genghis Khan (1965). Omar Sharif plays the legendary warlord who unites warring Mongol tribes. Stellar cast includes Stephen Boyd, James Mason, Francoise Dorleac, Eli Wallach, Telly Savalas and Robert Morley.
A Twist of Sand (1968). Beleaguered smuggler Richard Johnson spars with Jeremy Kemp in thriller about hidden diamonds in Africa. Honor Blackman is along for the voyage.
Jason and the Argonauts (1963). Ray Harryhausen special effects dominate this legendary tale of the hunt for the Golden Fleece.
Dr Syn Alias the Scarecrow (1963). Disney movie that was turned into a mini-series in the U.S. starring Patrick McGoohan as the eponymous Robin Hood-type character who assists smugglers.
The Hitman’s Wife’s Bodyguard (2021). Ryan Reynolds and Samuel L. Jackson reunite for wild sequel also featuring Salma Hayek and Antonio Banderas.
Dark of the Sun / The Mercenaries (1968). Rod Taylor leads a private army into the war-torn Congo to rescue a cache of uncut diamonds. Jim Brown, Yvette Mimieux and Kenneth More co-star. Based on the Wilbur Smith bestseller.
The Guns of Navarone (1961). Classic war mission picture with an all-star cast of Gregory Peck, David Niven, Anthony Quinn, Stanley Baker, Irene Papas and Gia Scala. Adapted from the Alistair McLean bestseller.
Maroc 7 (1967). Gene Barry infiltrates a gang of jewel thieves in Morocco operating under the cover of a fashion shoot. Dazzling female cast includes Elsa Martinelli, Cyd Charisse, Tracy Reed and Alexandra Stewart.
The Satan Bug (1965). John Sturges adaptation of Alistair MacLean pandemic thriller stars George Maharis, Richard Basehart and Dana Andrews.
Five Golden Dragons (1967). Cult thriller with Robert Cummings as the playboy caught up in an international crime syndicate. Klaus Kinski and Christopher Lee head an exceptional supporting cast that also includes Margaret Lee, Brian Donlevy, George Raft, Dan Duryea and Maria Rohm.
Claudelle Inglish (1961). Diane McBain as the poor farmer’s daughter who wants to get rich quick.
Jessica (1962). Angie Dickinson plays a young widow who turns so many heads in a small Italian town that their wives seek revenge.
The Magnificent 60s 