A post-WW2 operation to save a handful of Japanese adrift at sea in a storm is endangered when three members of the U.S. Air Force Air Rescue Service confront conflicts from their past. Despite tense rescue action, this is basically a three-hander about guilt and how men deal – or fail to deal – with emotions. Extended flashbacks illuminate the tangled relationships between Yul Brynner, Richard Widmark and George Chakiris.
So really it’s like one of those portmanteau films that were occasionally popular – like Trio (1950) made up of Somerset Maugham short stories or the more recent The VIPs (1963) or The Yellow Rolls Royce (1964). Each of the episodes stands up in its own right, actions taken in the past having a direct bearing on the present situation. Chakiris is haunted by causing an avalanche after flying his helicopter too close to a mountain and by having to leave behind many of the victims, due to restricted capacity on board, and now he is terrified of flying solo.
As a consequence, Widmark has no faith in abilities as a pilot. Widmark has an ongoing hatred of the Japanese – colleague Brynner of Japanese ancestry also bears his wrath – because his ill wife (Shirley Knight) and child died in a Japanese prisoner-of-war camp where medical supplies were reserved for the Japanese. Faced with rescuing Japanese, he is enraged. For his part, Brynner, as a paratrooper during the war, inadvertently caused the death of his Algerian girlfriend.
It’s not so much an examination of tough guys under pressure as about their inability to deal with the consequences of action. There’s certainly a sense that the only way men like these have of dealing with trauma is to throw themselves further into harm’s way. Unusually, at a time when product was in short supply and for a film boasting a strong cast, the picture was shelved for two years after completion. Michael Anderson (Around the World in 80 Days, 1956) directed.
The title’s a bit of a misnomer, suggesting someone is trying to escape from Ashiya when, in fact, that is just the name of the air base where the rescue team are located. Critics complained it was neither one thing nor the other, but in fact I found it a perfectly satisfactory combination of action and drama, especially as it dealt with rarely-recognised male emotions.
Many of the films from the 1960s are to be found free of charge on TCM and Sony Movies and the British Talking Pictures as well as mainstream television channels. But if this film is not available through these routes, then here is the link to the DVD and/or streaming service.
2 thoughts on “Flight from Ashiya (1964) ***”
Had no idea this had multiple stories. Quite a racy poster too, wonder why it was shelved…
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Yeah, the poster sells adventure not drama. Films were increasingly shelved throughout the 60s even though exhibitors were crying out for product because the marketing costs kept on going up. There was a famous article in Films & Filming I think it was where there over 50 films with reasonable stars that never got shown in cinemas.
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