The “Behind the Scenes” articles have become increasingly popular in the Blog. As regular readers will know I am fascinated about the problems incurred in making certain movies. Perhaps one of the more interesting aspects of this category is that every now and there is out of nowhere massive interest in the making of a particular movie and it shoots up the all-time tree. Most of the material has come from my own digging, and sources are always quoted at the end of each article, but occasionally I have turned to books written on the subject of the making of a specific film.

As with the All-Time Top Movies section, the top 20 comprises the choices of my readers. Alistair MacLean still exerts an influence, which is reassuring because my next book is about the films made from his books.
While Waterloo remains firmly out in front there are some interesting new entries such as The Cincinnati Kid, The Appointment, Mackenna’s Gold, The Train, The Sons of Katie Elder and The Trouble with Angels while Man’s Favorite Sport has made a steady climb upwards.

- (1) Waterloo (1970). No doubting the effect of Ridley Scott’s Napoleon in racketing up interest in this famous flop.
- (2) Ice Station Zebra (1968). A complete cast overhaul and ground-breaking special effects are at the core of this filming of an Alistair MacLean tale.
- (3) In Harm’s Way (1965). Otto Preminger black-and-white epic about Pearl Harbor and after.
- (7) The Guns of Navarone (1961). Alistair MacLean again, setting up the template for the men-on-a-mission war picture with an all-star cast and enough production jeopardy to qualify for a movie of its own.
- (6) The Satan Bug (1965). The problems facing director John Sturges in adapting the Alistair MacLean pandemic classic for the big screen.
- (9) Man’s Favorite Sport (1964). Howard Hawks back in the gender wars with Rock Hudson and Paul Prentiss squaring off.
- (4) Battle of the Bulge (1965). There were going to be two versions, so the race was on to get this one to the public first.
- (5) Cast a Giant Shadow (1965). Producer Melville Shavelson wrote a book about his experiences and this and other material relating the arduous task of bringing the Kirk Douglas-starrer to the screen are told here.
- (10) The Girl on a Motorcycle (1968). Cult classic starring Marianne Faithful and Alain Delon had a rocky road to release, especially in the U.S. where the censor was not happy.
- (8) Sink the Bismarck! (1962). Documentary-style British WW2 classic with Kenneth More with the stiffest of stiff-upper-lips.
- (11). Tora! Tora! Tora! (1970). Richard Fleischer dispenses with the all-star cast in favor of even-handed verisimilitude.
- (New Entry) The Cincinnati Kid (1965). Once Sam Peckinpah was fired from the poker epic, Norman Jewison took over. Steve McQueen, Ann-Margret and Edward G. Robinson are top-billed.
- (New Entry) The Trouble with Angels (1966). Hayley Mills causes trouble at a convent school where Rosalind Russell tries to rein her in.
- (13). The Bridge at Remagen (1969). John Guillerman WW2 classic with George Segal and Robert Vaughn
- (17). The Collector (1963). William Wyler’s creepy adaptation of John Fowles’ creepy bestseller with Terence Stamp and Samatha Eggar.
- (New Entry) The Train (1964). Another director fired, this time Arthur Penn, with John Frankenheimer taking over in this cat-and-mouse WW2 struggle between Burt Lancaster and Paul Schofield.
- (New Entry) The Appointment (1969). Sidney Lumet has his hands tied in Italian drama with Omar Sharif and Anouk Aimee.
- (20) The Way West (1967). Kirk Douglas and Robert Mitchum face off in pioneer western.
- (New entry) Mackenna’s Gold (1969). Producer Carl Foreman has his work cut out bringing home western Cinerama epic starring Gregory Peck and Omar Sharif.
- (New entry) The Sons of Katie Elder (1965). Long-gestating Henry Hathaway western with John Wayne and Dean Martin as brawling brothers.
With reference books much less of a thing, and with wiki and imdb increasingly the sole source of information on a film, these articles are great; we’ve argued a few points (Barbarella’s box office!) but you’re pooling information that’s not otherwise online, and you’re also a genuine authority on film with many books to your name, so I’m not surprised that your august writings are proving popular. Makes my personal gibberings out to be a passing fancy of the moment; I’m Bradley Cooper to your Lady Gaga.
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Thanks. One of the reasons i started ntis was that so many films were dealt with in capsule reviews so there’s really no comprehensive guide to the decade, outwith the overly-pronounced art pix.
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