Behind the Scenes: All Time Top 30

Since I’ve expanded the All-Time Top Movies to 100 it seems only fair to enlarge the Behind the Scenes section. So this is now a Top 30. The rankings here relate to this time last year.

Includes three Alistair MacLean adaptations. John Wayne and Gregory Peck feature three times and Kirk douglas, Dean Martin, James Stewart, Steve McQueen and Omar sharif twice each. Andrew V. McLaglen leads the directorial charge with three mentions.

1. (1)Waterloo (1970). No doubting the effect of Ridley Scott’s Napoleon in increasing interest in this famous flop that had Rod Steiger’s French emperor squaring off against Christopher Plummer.
2. (3) In Harm’s Way (1965). Otto Preminger takes off the gloves to expose problems in the American military around Pearl Harbor. John Wayne and Kirk douglas head an all-star cat.
3. (2)Man’s Favorite Sport (1964). Howard Hawks back in the gender wars with Rock Hudson being taken down a peg by Paula Prentiss.
4. (4) The Guns of Navarone (1961). Alistair MacLean created the template for the men-on-a-mission war picture. Gregory Peck, David Niven and Anthony Quinn topline. Nominated for five Oscars including Best Picture, Best Director (J. Lee Thompson) and Screenplay (Carl Foreman) and enough jeopardy throughout the filming to qualify for a movie of its own.
5. (7) The Satan Bug (1965). The problems facing director John Sturges in adapting the Alistair MacLean pandemic classic for the big screen.
6. (6) Battle of the Bulge (1965). There were going to be two versions, so the race was on to get this one to the public first. A Cinerama number.
7. (5) Ice Station Zebra (1968). A complete cast overhaul and ground-breaking  special effects are at the core of this filming of another Alistair MacLean tale. Second Alistair MacLean outing for John Sturges.
8. (New Entry) Barbarella (1968). Jane Fonda was fourth choice after Brigitte Bardot, Sophia Loren and Ira von Furstenberg. Should never have been directed by Roger Vadim who was out of favor with Paramount. One of the first movies to be given a global simultaneous release.
9. (8) Cast a Giant Shadow (1965). Producer Melville Shavelson wrote a book about his experiences and this and other material relating the arduous task of bringing the Kirk Douglas-starrer to the screen are told here.
10. (12) Mackenna’s Gold (1969). Tortuous route to the screen for Carl Foreman-produced roadshow western, filmed in 70mm Cinerama, with an all-star cast including Omar Sharif, Gregory Peck and Telly Savalas.
11. (9) The Girl on a Motorcycle / Naked under Leather (1968). Cult classic starring Marianne Faithful and Alain Delon had a rocky road to release, especially in the U.S. where the censor was not happy.
12. (12) The Sons of Katie Elder (1965). First envisioned nearly a decade before, Henry Hathaway western finally hit the screen with John Wayne and Dean Martin.
13. (11). Tora! Tora! Tora! (1970). Richard Fleischer dispenses with the all-star cast in favor of even-handed verisimilitude.
14. (15) The Trouble with Angels (1966). Less than angelic Hayley Mills sparring with convent boss Rosalind Russell. Directed by one-time star Ida Lupino.
15. (New Entry) The Misfits (1961). Robert Mitchum turned down the male lead. Clark Gable failed the medical, both Montgomery Clift and Marilyn Monroe had drug problems. It went 40 days over schedule and half a million over budget.
16. (14) The Bridge at Remagen (1969). British director John Guillerman hits trouble filming World War Two picture starring George Segal and Robert Vaughn.
17. (16) For a Few Dollars More (1965). Sergio Leone sequel to first spaghetti western brings in Lee van Cleef to pair with Clint Eastwood.
18. (20) The Collector (1963). William Wyler’s creepy adaptation of John Fowles’ creepy bestseller with Terence Stamp and Samatha Eggar.
19. (13) Sink the Bismarck! (1960). Documentary-style British World War Two classic with Kenneth More exhibiting the stiffest of stiff-upper-lips.
20. (18) Bandolero! (1968). Director Andrew V. McLaglen teams up with James Stewart, Dean Martin and Raquel Welch to fight Mexican bandits.
21. (19) The Train (1964). John Frankenheimer replaced Arthur Penn in the directorial chair to steer home unusual over-budget World War Two picture with Burt Lancaster trying to steal art treasures from under the nose of German Paul Schofield.
22. (17) How The West Was Won (1962). First non-travelog Cinerama picture, all-star cast and all-star team of directors tackling multi-generational western and all sorts of logistical problems.
23. (New entry) The Way West (1967). Burt Lancaster, James Stewart and Gary Cooper were the original cast. Charlton Heston turned it down. Robert Mitchum couldn’t make up his mind. Director Andrew V. McLaglen claimed it had been savaged by the studio.
24. (New Entry) The Wicker Man (1973) at the Box Office. A flop on initial release, U.S. release delayed, it took a long long time before the movie achieved both cult status and came out of the red.
25. (New Entry) The Stalking Moon (1968). Should never have been made, according to existing legislation, even with Gregory Peck’s participation long delayed in part due to original director George Stevens pulling out.
26. (New Entry) “Barbieheimer” Recalls the Old Double Bill. The perfect double bill aimed to attract different segments of the audience.
27. (New Entry) Judgement at Nuremberg (1961). Laurence Olivier was first choice to play the role taken by Burt Lancaster. United Artists was not at all keen on the proposition. Innovative use of the camera. Judy Garland and Montgomery Clift overcame personal problems while Marlene Dietrich was acquainted with one of men on trial.
28. (New Entry) The Thomas Crown Affair (1968). Sean Connery, Jack Lemmon and Brigitte Bardot turned it down. Director Norman Jewison thought Steve McQueen “completely wrong” for the part.
29. (New Entry) The Cincinnati Kid (1965). Sam Peckinpah was fired. Spencer Tracy quit. Sharon Tate declined.
30. (New Entry) The Appointment (1969). Booed at the Cannes Film Festival. Denied a release in the U.S., even with Omar Sharif as star and after being heavily edited by MGM. Only shown on American TV. The biggest financial flop of Sidney Lumet’s career.